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KJ-52
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1
Do you remember the time, when the purpose and the rhyme, was to see the souls affected.
2
But now its to man, every purpose and every plan, to whom the praise is directed.
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We live out dream, make the crowd scream, but turn to yell at the sound man,
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Since where and when did we stop checking the word and begin to start checking the sound scan.
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Remember when shows were for souls and rhymes were for flows.
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Now we spend one minute to pray, if even that for each day, but spend 2 hours checkin our clothes.
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what happened to the passion we was having that was sparked in the begining.
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but we're quick to cry, point the speck in your eye, but even quicker to justify our sinning.
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we're wuick to diss and raise the fist to justify the things that we do.
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but for every finger we point at them, just remember freind there's 4 more pointin back at you.
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how and when did it all begin as ministry turned to industry.
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cause did jesus need a manager, record label, ditributor, or even a boooking agency.
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when troubles came, did he call upon the name, or turn to a lawyer to handle it.
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why do we ask God last, ignore the past, but be the first to ask our management.
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cause next to him, our glory's dim and truely pales in comparison.
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why does every move we choose seem to revolve around
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we can get our groove on, but yet worry about comin on to strong.
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yet we water it down so much there aint even nothing left to chew on.
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souls become sales, and sales become a salary
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give the crowd something to feel, whine about keepin it real,
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but dont try to keep it to reality.
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yet when its all over and the mic is hung and its all said and done.
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it wont matter how many battles i won, but only the souls that i have won.
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on the other side, will my silly pride cause me to hold my head up proud .
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If I wont have beef with you then, tell me freind, why should I have a beef wth you now.
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At the end of my life when I held that mic did I really truelly deserve it.
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Forget if i was phat, Forget if i was whack,
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I want to hear well done my good and faithful servant.
KJ-52 - KJ Five Two
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